Bodies and Transformance in Taiwanese Contemporary Theater

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A01=Peilin Liang
Age Rank
Asian Performance
Author_Peilin Liang
body politics in drama
Body Scores
Category=ATD
Category=JBCC
Category=NHF
Category=NHTR
Colonial Administration
cultural hybridity theory
de-imperialization
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
globalization
Golden Bough
Golden Bough Theater
Great Deluge
Hakka Women
Hok Lo Language
Indigenous Performers
Inter-Asia Cultural Studies
intercultural theatre analysis
interculturalism
Joyous Bodies
La MaMa Experimental Theater Club
Li Ma
minoritised cultural practices
Pear Blossoms
Pear Growers
Performative Terms
Phoenix Trees
postcolonial performance studies
postcolonialism
reconceptualising corporeality in performance
ritual embodiment research
Ritual Ground
Ritualized Bodies
Roc
Shingeki Practitioners
Taiwan Studies
Taiwan's Governor
Taiwan’s Governor
Theater Practitioners
Traditional Hakka
Young Man
Young Performers

Product details

  • ISBN 9780367205331
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Jul 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In Bodies and Transformance in Taiwanese Contemporary Theater, Peilin Liang develops a theory of bodily transformation.

Proposing the concept of transformance, a conscious and rigorous process of self-cultivation toward a reconceptualized body, Liang shows how theater practitioners of minoritized cultures adopt transformance as a strategy to counteract the embodied practices of ideological and economic hegemony. This book observes key Taiwanese contemporary theater practitioners at work in forging five reconceptualized bodies: the energized, the rhythmic, the ritualized, the joyous, and the (re)productive. By focusing on the development of transformance between the years of 2000–2008, a tumultuous political watershed in Taiwan’s history, the author succeeds in bridging postcolonialism and interculturalism in her conceptual framework.

Ideal for scholars of Asian and postcolonial theater, Bodies and Transformance in Taiwanese Contemporary Theater shows how transformance, rather than performance, calibrates with far greater precision and acuity the state of the body and the culture that it seeks to create.

Peilin Liang is Assistant Professor of Theatre Studies at the National University of Singapore. She is the director of A Home on the Island, a transnational Practice as Research (PaR) project in applied theater. Her work has appeared in Theatre Topics, Theatre Research International, Contemporary Theatre Review, InterAsia Cultural Studies, Performance Research, and Research in Drama Education.

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