Bodies, Speech, and Reproductive Knowledge in Early Modern England

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A01=Sara D. Luttfring
Anatomical Knowledge
Author_Sara D. Luttfring
Basilikon Doron
Birthing Room
Bodily Narratives
Category=DSB
Category=JBSF1
Category=QDTK
Chaste Maid
Compleat Midwifes Practice
Country Wench
Culpeper's Directory
Divorce Trial
Early Modern
early modern medical history
English Civil War
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Essex Divorce
Expert Midwife
Female Reproductive Body
feminist
Gender Studies
gendered epistemology
Green Sickness
lineage and inheritance
Literature and Medicine
Maternal Impression
maternity
Medical Humanities
Mercurius Melancholicus
Monstrous Birth
monstrous birth pamphlets
Overbury Murder
patriarchal
patriarchal authority
Renaissance
Reprodictive
Reproduction
Reproductive Body
Routledge Studies in Renaissance Literature and Culture
Sara Luttfring
Sicke Womans Private
Stuart period
The Winter's Tale
Tis Pity
Urine Flask
Vice Versa
virginity politics
women's reproductive agency in literature
Women's Reproductive Bodies
Women's Studies
Yellow Starch
Young Man

Product details

  • ISBN 9780367871918
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume examines early modern representations of women’s reproductive knowledge through new readings of plays, monstrous birth pamphlets, medical treatises, court records, histories, and more, which are often interpreted as depicting female reproductive bodies as passive, silenced objects of male control and critique. Luttfring argues instead that these texts represent women exercising epistemological control over reproduction through the stories they tell about their bodies and the ways they act these stories out, combining speech and physical performance into what Luttfring calls 'bodily narratives.' The power of these bodily narratives extends beyond knowledge of individual bodies to include the ways that women’s stories about reproduction shape the patriarchal identities of fathers, husbands, and kings. In the popular print and theater of early modern England, women’s bodies, women’s speech, and in particular women’s speech about their bodies perform socially constitutive work: constructing legible narratives of lineage and inheritance; making and unmaking political alliances; shaping local economies; and defining/delimiting male socio-political authority in medical, royal, familial, judicial, and economic contexts. This book joins growing critical discussion of how female reproductive bodies were used to represent socio-political concerns and will be of interest to students and scholars working in early modern literature and culture, women’s history, and the history of medicine.

Sara D. Luttfring is Assistant Professor of English at Penn State Erie, The Behrend College. Her work has appeared in the journals Renaissance Drama and Huntington Library Quarterly, as well as in the edited collection Staging the Blazon in Early Modern English Theater (2013).

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