Bodily Engagements with Film, Images, and Technology

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A01=Max Ryynanen
activism
aesthetics
affective response studies
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art
Art Film
Art House Films
Author_Max Ryynanen
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Bataille
bodily reactions
body
body parts
cars
Category1=Non-Fiction
Category=HPN
Category=QDTN
Chopin
contemporary
Contemporary Art
COP=United Kingdom
cultural studies
culture
Delivery_Delivery within 10-20 working days
digital embodiment
embodied experience in technology
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film
Follow
gaze
Gianni Vattimo
Held
Horror Movie
Ivory Coast
Jewish Museum
Jewish Museum Berlin
Language_English
machines
Mario Perniola
media phenomenology
mutilation
National Tv Channel
Nelson Mandela
new media
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PA=Available
phenomenological analysis
philosophy
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Rain Drops
rasa
Rasa Theory
robot cars
robots
sensory perception theory
Smart Phones
softlaunch
somaesthetics
somatic
Somatic Film
Somatic Sides
Somatic Stimulation
surgeries
Tv Series
Vice Versa
visual culture research
visual studies

Product details

  • ISBN 9781032164304
  • Weight: 210g
  • Dimensions: 138 x 216mm
  • Publication Date: 09 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book builds a new understanding of the body and its relationship to images and technology, using a framework where novel writings of pragmatist somaesthetics and phenomenology meet new research on bodily reactions.

Max Ryynänen gives an overview of the topic by collecting the existing information of our bodies gazing at visual culture and the philosophies supporting these phenomena, and examines the way the gaze and the body come together in our relationship to culture. Themes covered include somatic film; the body in artistic documentation of activist art; body parts (and their mutilation or surgeries) in contemporary art and film; robot cars and our visual relationship to them; the usefulness of Indian rasa philosophy in explaining digital culture; and an examination of Mario Perniola’s work about the idea that we, human beings, are increasingly experiencing ourselves to be simply "things."

The book will be of interest to scholars working in art history, aesthetics, cultural philosophy, film studies, technology studies, media studies, cultural studies, and visual studies.

Max Ryynänen is Senior Lecturer of Theory of Visual Culture at Aalto University.

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