Bodily Expression in Electronic Music

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Aeolian Harp
Anechoic Chamber
Bodily Expression
Body
Butoh
Butoh Dancers
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corporeal musical interaction
Dance
Dense
Electronic
Electronic Music
Electronic Music Composition
embodied cognition
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Expression
Follow
Georgina Born
Haptic Illusions
Hold
human computer music interaction
Iannis Xenakis
Ich
interactive sound art
IRCAM
Music
music phenomenology
Musica Mundana
Ohno Kazuo
Omnipresent
Performance
performance studies
Performativity
Phenomenology
Played Back
Rst
Schaeff
sonic arts research
Tawada
Turing's Imitation Game
Turing’s Imitation Game
UND
Vice Versa

Product details

  • ISBN 9780415745710
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Nov 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers’, performers’, improvisers’ and listeners’ bodies, as well as the works’ and technologies’ figurative bodies as a rich source of expressive articulation. Bringing together humanities’ scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body’s role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.

Deniz Peters is a postdoctoral researcher at the Institute for Aesthetics of Music at the University of Music and Performing Arts Graz, Austria. Gerhard Eckel is Professor of Computer Music and Multimedia and the former head of the Institute of Electronic Music and Acoustics (IEM) at the University of Music and Perfoming Arts Graz, Austria. Andreas Dorschel is Professor of Philosophy and head of the Institute of Music Aesthetics at the University of Music and Performing Arts Graz, Austria.