Body, Sound and Space in Music and Beyond: Multimodal Explorations

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Alexander Refsum Jensenius
artificial environment
Audiovisual Metaphors
Barbershop Chorus
Bennett Hogg
binaural audio augmented environments
Binaural Recording
Binaural Synthesis
Category=ATQ
Category=AVA
Category=JMR
Christiane Neuhaus
Christoph Reuter
Cross-modal Correspondences
cross-modal integration
David Worrall
disembodiment
Edith Van Dyck
embodied music cognition
embodiment
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Filmic Spaces
Georg Hajdu
Jeska Buhmann
Jesper Hohagen
Jude Brereton
Kathrin Fahlenbrach
Marc Leman
Mark Grimshaw
Martin Rumori
Metaphoric Source Domains
micromotion
Motion Capture System
movement sonification
multisensory perception in music research
musical pitch
Networked Music Performance
Paul Vickers
Peripersonal Space
Peter Lennox
Pitch Direction
Pitch Height
Playback
Reverberation Time
Room Acoustic
Room Acoustic Conditions
Saleh Siddiq
Sonic Virtuality
sonification
Sound Wave Source
spatial audio perception
spatial brain
Spectral Flux
timbre
Timbre Spaces
Virtual Acoustic
virtual acoustic environments
Virtual Acoustic Spaces
Virtual Auditory Space
Visuo Spatial Imagery
W. Luke Windsor
Zohar Eitan

Product details

  • ISBN 9781138586857
  • Weight: 610g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Apr 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Body and space refer to vital and interrelated dimensions in the experience of sounds and music. Sounds have an overwhelming impact on feelings of bodily presence and inform us about the space we experience. Even in situations where visual information is artificial or blurred, such as in virtual environments or certain genres of film and computer games, sounds may shape our perceptions and lead to surprising new experiences. This book discusses recent developments in a range of interdisciplinary fields, taking into account the rapidly changing ways of experiencing sounds and music, the consequences for how we engage with sonic events in daily life and the technological advancements that offer insights into state-of-the-art methods and future perspectives. Topics range from the pleasures of being locked into the beat of the music, perception–action coupling and bodily resonance, and affordances of musical instruments, to neural processing and cross-modal experiences of space and pitch. Applications of these findings are discussed for movement sonification, room acoustics, networked performance, and for the spatial coordination of movements in dance, computer gaming and interactive artistic installations.

Clemens Wöllner is Professor of Systematic Musicology at the University of Hamburg, Germany. His research focuses on performance, multimodal perception and the acquisition of expert skills, employing a range of interdisciplinary methods including motion capture, eye-tracking and physiological measures. He has published widely on topics related to musical conducting, perception–action coupling, human movement, imagery and attention in pianists, empathy and research reflexivity.