Abu Ghraib
Black African American Negro songs of protest
Blackface minstrelsy
blues protest
Category=AVM
Category=JBFA
Category=JPQ
Category=JPW
Cold War
education
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Etude Magazine
Great Awakening
Guantanamo
Harry Belafonte
Irish Rebels
Jazz Ambassadors
repression
revolution
slavery
suppression
Union
Voice of America VOA
Willie Dixon
women ladies female
working class
Product details
- ISBN 9781496859204
- Dimensions: 156 x 235mm
- Publication Date: 08 Dec 2025
- Publisher: University Press of Mississippi
- Publication City/Country: US
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Contributions by Mat Callahan, Suzanne G. Cusick, James E. Dillard, Steven Garabedian, Franz Andres Morrissey, Jim Rogers, Elissa Stroman, Britta Sweers, and Dick Weissman
What exactly is American music? Is blackface minstrelsy American music? Is Hawaiian music? Is "The Star-Spangled Banner," written by an Englishman, American music? And what exactly is "Rockin’ in the Free World"? Why does the Voice of America use American music to promote America? These and many other questions are discussed in Bombs Bursting in Air: Music and the State.
The relationship between music and the state has been the topic of controversy for at least 2,500 years. The oft-quoted passage from Plato's Republic, "the musical modes are never changed without changes in the most basic of the City's laws," not only underscores the importance of music in general but warns of music's ability to affect how society is governed. The state must therefore employ music to serve its ends while at the same time guarding against the lawlessness and subversion music is capable of introducing.
Bombs Bursting in Air gathers contributions from historians and musicologists to explore the role of music in the history of the United States. The essayists exhume music that has been forgotten or deliberately buried while drawing comparison with what has been promoted as "American music" by the academy, the music industry, and journalism, as well as by the US State Department.
What exactly is American music? Is blackface minstrelsy American music? Is Hawaiian music? Is "The Star-Spangled Banner," written by an Englishman, American music? And what exactly is "Rockin’ in the Free World"? Why does the Voice of America use American music to promote America? These and many other questions are discussed in Bombs Bursting in Air: Music and the State.
The relationship between music and the state has been the topic of controversy for at least 2,500 years. The oft-quoted passage from Plato's Republic, "the musical modes are never changed without changes in the most basic of the City's laws," not only underscores the importance of music in general but warns of music's ability to affect how society is governed. The state must therefore employ music to serve its ends while at the same time guarding against the lawlessness and subversion music is capable of introducing.
Bombs Bursting in Air gathers contributions from historians and musicologists to explore the role of music in the history of the United States. The essayists exhume music that has been forgotten or deliberately buried while drawing comparison with what has been promoted as "American music" by the academy, the music industry, and journalism, as well as by the US State Department.
Mat Callahan is author or editor of five books including The Explosion of Deferred Dreams: Musical Renaissance and Social Revolution in San Francisco, 1965–1975 and A Critical Guide to Intellectual Property. Recent projects include the republication of Songs of Freedom: The James Connolly Songbook, the recording and publication of Working-Class Heroes: A History of Struggle in Song, and the launch of Songs of Slavery and Emancipation, an audio recording, film, and book, the latter published by University Press of Mississippi. Find more information about the author at http://www.matcallahan.com.
