Books and Social Media

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A01=Miriam J. Johnson
Author_Miriam J. Johnson
Book App
Category=DS
Category=DSA
Category=DSBH
Category=JBCC
Category=JBCT
Citizen Authors
Data Scraping
Digital Communities
digital reading cultures
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fan Fiction
Fuzzy Set
Gatekeeping Mechanisms
gendered authorship
genre fiction studies
Imagined Audience
In-line Comments
online writing communities
participatory publishing
Penguin Random House
Personalised Fiction
Publishing Deals
Publishing Industry
Publishing Model
qualitative data analysis
Rear View Mirror
Self-published Author
social media influence on literature
Social Media Influencers
Social Media Platform
Social Platforms
Traditional Publishing
Traditional Publishing Industry
Traditional Publishing Model
UK Internet User
UK Print
VIP Area

Product details

  • ISBN 9781032001357
  • Weight: 320g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jul 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Social media and digital technologies are transforming what and how we read. Books and Social Media considers the way in which readers and writers come together in digital communities to discover and create new works of fiction.

This new way of engaging with fiction stretches the boundaries of what has been considered a book in the past by moving beyond the physical or even digitally bound object to the consideration of content, containers, and the ability to share. Using empirical data and up-to-date research methods, Miriam Johnson introduces the ways in which digitally social platforms give rise to a new type of citizen author who chooses to sidestep the industry’s gatekeepers and share their works directly with interested readers on social platforms. Gender and genre, especially, play a key role in developing the communities in which these authors write. The use of surveys, interviews, and data mining brings to the fore issues of gender, genre, community, and power, which highlight the push and pull between these writers and the industry.

Questioning what we always thought we knew about what makes a book and traditional publishing channels, this book will be of interest to anyone studying or researching publishing, book history, print cultures, and digital and contemporary literatures.

Miriam J. Johnson is a Senior Lecturer in Publishing at Oxford Brookes University, UK. She also maintains the ‘Books are Social’ website (https://www.booksaresocial.com/).

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