Bootlegging the Airwaves

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A01=Eleanor Patterson
Age Group_Uncategorized
Age Group_Uncategorized
Australia
Author_Eleanor Patterson
automatic-update
bootlegging
broadcast history
broadcasting
Category1=Non-Fiction
Category=JBCT
Category=JFD
Category=KNT
classic radio
classic radio fans
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_business-finance-law
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fan communities
fan labor
gender studies
home recording technologies
informal distribution
Language_English
media distribution
media history
old-time radio
PA=Available
Price_€20 to €50
professional wrestling
PS=Active
queer studies
race and representation
radio
softlaunch
star trek
starsky and hutch
television
television fans
transnational circulation

Product details

  • ISBN 9780252087691
  • Weight: 313g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Feb 2024
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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How fan passion and technology merged into a new subculture

Long before internet archives and the anytime, anywhere convenience of streaming, people collected, traded, and shared radio and television content via informal networks that crisscrossed transnational boundaries.

Eleanor Patterson’s fascinating cultural history explores the distribution of radio and TV tapes from the 1960s through the 1980s. Looking at bootlegging against the backdrop of mass media’s formative years, Patterson delves into some of the major subcultures of the era. Old-time radio aficionados felt the impact of inexpensive audio recording equipment and the controversies surrounding programs like Amos ‘n’ Andy. Bootlegging communities devoted to buddy cop TV shows like Starsky and Hutch allowed women to articulate female pleasure and sexuality while Star Trek videos in Australia inspired a grassroots subculture built around community viewings of episodes. Tape trading also had a profound influence on creating an intellectual pro wrestling fandom that aided wrestling’s growth into an international sports entertainment industry.

Eleanor Patterson is an assistant professor of media studies at Auburn University.

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