Borderless Painting as Borderless Art
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A01=Sergio B. Martins
Arte Povera
Author_Sergio B. Martins
Category=AFC
Category=AGA
Category=AGB
cultural studies
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eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
Latin American art
modern art
museum studies
Transnational art history
Product details
- ISBN 9780520422483
- Dimensions: 178 x 229mm
- Publication Date: 07 Apr 2026
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Hardback
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The artwork of Antonio Dias (1944–2018) uniquely captures the interwoven histories of Brazilian postwar realism and of European conceptualism in the 1960s and 1970s. By tracking Dias’s ever-shifting works and circulation as he moved from Rio de Janeiro to Paris, and then to Milan, Borderless Painting as Borderless Art provides the first in-depth study of the artist.
Sérgio B. Martins uses Dias’s trajectory as a lens to explore different approaches to avant-gardism and its crisis in Brazil, France, and northern Italy, weaving in the perspectives of figures such as Hélio Oiticica, Harald Szeemann, Pierre Restany, Giulio Paolini, and Tommaso Trini, as well as the Fluxus movement. The book ultimately argues that Dias pitted his formation in a semi-peripheral avant-garde against a post–avant-gardist milieu where commodity culture and market relations were far more pervasive and determinant vis-à-vis the arts scene.
Sérgio B. Martins uses Dias’s trajectory as a lens to explore different approaches to avant-gardism and its crisis in Brazil, France, and northern Italy, weaving in the perspectives of figures such as Hélio Oiticica, Harald Szeemann, Pierre Restany, Giulio Paolini, and Tommaso Trini, as well as the Fluxus movement. The book ultimately argues that Dias pitted his formation in a semi-peripheral avant-garde against a post–avant-gardist milieu where commodity culture and market relations were far more pervasive and determinant vis-à-vis the arts scene.
Sérgio B. Martins is Associate Professor of Art History in the History Department at Pontifícia Universidade Católica do Rio de Janeiro and author of Constructing an Avant-Garde: Art in Brazil, 1949–1979.
