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A01=Xiomara Verenice Cervantes-Gomez
Age Group_Uncategorized
Age Group_Uncategorized
America
Author_Xiomara Verenice Cervantes-Gomez
automatic-update
Bottoming
case studies
Category1=Non-Fiction
Category=DSBH
Category=JBSJ
Category=JBSL
Category=JFSK
Category=JFSL
Category=JFSL4
color theory
Continental Philosophy
COP=United States
cultural
Delivery_Delivery within 10-20 working days
Diaspora
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
erotic work
ethics
exposure
Language_English
Latinx
Latinx culture
loss
Mexican literature
Mexican nationalist
Mexicanness
Mexico
PA=Available
Pasivo Ethics
past
performance
philosophy
political
politics
power
present
Price_€20 to €50
PS=Active
queer
Queer Aesthetics
Queer Ethics
Queer of Color Theory
Queer Politics
sex
sexual
Sexual Representation
social
softlaunch
trans
trauma
violence

Product details

  • ISBN 9781479829156
  • Weight: 463g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Aug 2024
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Proposes a queer way to be in the world and with others
Invoking queer aesthetics, ethics, and politics, Bottoms Up explores a sexual way to be with others while living with loss. Xiomara Cervantes-Gómez demonstrates how aesthetic representations of sex—namely, bottoming—function as allegorical paradigms, revealing the assemblages of violence that have constituted the social, cultural, and political shifts of Mexico and US Latinx culture from 1950 to the present.
With playful, theoretically nuanced prose, Cervantes-Gómez builds upon queer of color theory and continental philosophy to present the "bottom" as a form of relational performance, which she terms "pasivo ethics." The argument develops through a series of compelling case studies, including a series of novels by Octavio Paz and Luis Zapata that trace the position of the bottom in Mexican nationalist literature; the forms of exposure, risk, and proximity in the performance work of artist Lechedevirgen Trimegisto; a reading of violence and the erotic in the work of artist Bruno Ramri; and reading artists such as Yosimar Reyes, Yanina Orellana, and Carlos Martiel as they build a framework of sexual inheritance that carries the traumas of Mexicanness into the diaspora.
Through a broad archive rooted in hemispheric Latinx performance, Bottoms Up considers how sexual and political power are bound up with each other in the shaping of Mexicanness. Placing particular emphasis on questions of queer and trans Mexican embodiment, the book explains how Mexicanness is constituted through discourses of exposure.

Xiomara Verenice Cervantes-Gómez is Assistant Professor of Spanish and Portuguese at the University of Illinois at Urbana-Champaign.

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