Bourdieu in the Studio

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A01=Evi Stamatiou
activism
Actor Training
actor training bias intervention
Actor Training Contexts
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Author_Evi Stamatiou
Authorial Acting
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Bodily Hexis
Bourdieu's Concept
Bourdieu's Theory
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Comedian's Habitus
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critical pedagogy
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embodied inequality
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Future Practice
Independent Women
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Les Clowns
Linguistic Habitus
Lovely War
Ludic Activism
Main Character
Marginalised Communities
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Peer Assessment
performance
Performance Research Association
performance studies
Performance Studies Field
Performer Training
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rehearsal methodologies
social representation theory
softlaunch
Song Parody
theatre
Theatre And Performance Research Association
theatre education
Trainee's Notes
UK's Exit
Water Moments
Yellow Socks

Product details

  • ISBN 9781032306087
  • Weight: 470g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Dec 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book offers tools to address the growing and urgent interest in exposing and challenging unconscious biases in the studio, exploiting how actor training uniquely combines elements of education and culture. It is the first practical and rigorous investigation of Pierre Bourdieu’s idea that domination and inequality are embodied in surreptitious ways.

This book adapts and develops the techniques of Joan Littlewood and Ariane Mnouchkine that juxtapose the social with the comedic to theatricalise Bourdieusian concepts, inviting critical consciousness and critical praxis in the studio. It constructs the creative intervention Ludic Activism that can be practically applied in an actor training context. Actors from diverse training backgrounds were trained to use Ludic Activism, co-investigating how the Bourdieu-inspired vocabulary and pedagogy can facilitate the acknowledgement and tackling of dispositions during theatre-making. Ludic Activism developed the participants’ social representations into progressive and compassionate versions, reinforcing an understanding and use of their positionality in performance through a set of authorial acting tasks.

This book is an advanced study for actors, directors, and teachers of acting for both the training/rehearsal studio and research.

The methodology, account of the process, and evaluation of the creative intervention – including illustrations and selected videos that can be accessed on the Routledge website, under the Support Material section, here: https://www.routledge.com/Bourdieu-in-the-Studio-Decolonising-and-Decentering-Actor-Training-Through/Stamatiou/p/book/9781032306070 – demonstrate a decolonising and decentering trajectory for actor training.

Evi Stamatiou is a practitioner-researcher of actor training. She is a Senior Lecturer in Acting for Stage and Screen and Course Leader of the MA/MFA Acting for Stage and Screen at the University of East London. She holds a Ph.D. from The Royal Central School of Speech and Drama, University of London. She is a Senior Fellow of the Higher Education Academy (SFHEA). She is the chair of the Acting Program at the Association for Theater in Higher Education (ATHE) and a convener of the Performer Training working group at the Theatre and Performance Research Association (TaPRA).

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