A01=Ryan McClelland
Allegro Appassionato
Author_Ryan McClelland
Brahms scherzo movement analysis
Brahms's Music
Brahms’s Music
Category=AVA
Category=AVC
Cello Sonata
Clarinet Quintet
Clarinet Sonata
Clarinet Trio
dominant
Dominant Harmony
Durational Reduction
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expressive interpretation
harmony
Head Motive
Horn Trio
Hypermetric Downbeat
instrumental performance practice
metric structure
movements
Neighbor Note Motive
nineteenth-century musicology
piano
Piano Quartet
Piano Quintet
Piano Trio
quartet
rhythmic analysis
Rounded Binary
Rounded Binary Form
rounding
Scherzo Type Movements
Scherzo's Opening
Scherzo’s Opening
String Quartet
String Sextet
Subdominant Chord
thematic
Thematic Rounding
thematic transformation
tonic
Tonic Harmony
trio
type
Violin Sonata
Product details
- ISBN 9781138262164
- Weight: 620g
- Dimensions: 156 x 234mm
- Publication Date: 15 Nov 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.
Professor Ryan McClelland is Associate Professor of Music Theory at the Faculty of Music, University of Toronto, Canada.
