Breaking Boundaries

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A01=Molly Smith
Act III
Author_Molly Smith
Bloody Banquet
Category=JB
Concluding Scene
cultural transgression
Danse Macabre
dramatic representation ideology
early modern drama
Early Stuart Drama
Elizabeth's Glass
Elizabeth’s Glass
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fletcher's Play
Fletcher’s Play
Ford's Tragedy
Ford’s Tragedy
Hayward's Annals
Hayward’s Annals
Horatio's Murder
Horatio’s Murder
Jonson's Sejanus
Jonson’s Sejanus
Maid's Tragedy
Maid’s Tragedy
Mercurius Publicus
political spectacle analysis
Public Execution
public execution theatre history
Public Punishment
Renaissance Drama
Renaissance theatre studies
Revenger's Tragedy
Revenger’s Tragedy
Shakespeare's Great Tragedies
Shakespeare’s Great Tragedies
social history England
Spanish Tragedy
Tis Pity
Unnatural Combat
Virgin Martyr
Woman's Prize
Woman’s Prize
Women Beware Women
Young Men

Product details

  • ISBN 9781138607460
  • Weight: 310g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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First published in 1998, this volume explores the period 1585-1649, identifying it as rich in innovative drama which challenged the boundaries between social, political and cultural activities of various kinds. Molly Smith examines ways in which texts by Renaissance authors reflect, question and influence their society’s ideological concerns. In the drama of Kyd, Shakespeare, Beaumont and Fletcher, Webster, Middleton, Massinger and Ford, she identifies the simultaneously serious and playful appropriation of popular cultural practices, an appropriation which is expertly reversed by authorities in the political drama of Charles I’s public trial and execution in 1649. This compelling interpretation of Renaissance drama will prove of value to students of literature and social history.

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