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Breaking Records
Breaking Records
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€173.60
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A01=William Ruhlmann
Acoustic Era
Al Jolson
Alexander's Ragtime Band
Alexander’s Ragtime Band
alley
American Quartet
Andrews Sisters
Andy Razaf
Author_William Ruhlmann
ben
Ben Selvin
Category=AB
Category=AVA
Category=AVL
Category=AVLP
Category=AVX
Category=GTC
Chicago Transit Authority
Country Music
economic impact of music
Eddy Duchin
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
follies
Greenwich Village Follies
harry
Harry MacDonough
Haydn Quartet
historical analysis of American recording business
Hit Number
jerome
kern
LP Chart
macdonough
music distribution systems
music industry history
Music Video
pan
Peerless Quartet
Pied Pipers
Popular Music
popular music genres
RCA Victor
recording technology evolution
Self-titled Debut Album
Sun Shines
Tennessee Waltz
tin
Tin Pan Alley
twentieth century musicology
Yankee Doodle Boy
ziegfeld
Product details
- ISBN 9780415943055
- Weight: 589g
- Dimensions: 152 x 229mm
- Publication Date: 16 Mar 2004
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
This book is intended as a survey history of the American record business as it developed during its first full century. It already existed, just barely, when the century began, and by the start of the twenty-first century, whatever its troubles, it had become a very big business: 785 million albums in 2000 might not have represented much of an increase over the previous year, but it was still a lot of records. The story of the industry’s development is a financial and commercial one, concerning sales, competition, and economic forces, and it is also a musical one, concerning musicians and songwriters. The history of a country’s music is, to an extent, the history of the country itself, and much more could be said—indeed, much more has been said—about that than can be attempted here. But it is hoped that with this overview the reader will gain a certain perspective on that history and the way that the creation of an art form interacts with the machinery of its distribution—or has, thus far, anyway.
William Ruhlmann is a well-known writer on American popular music, and a regular contributor to several journals and trade magazines devoted to pop music history and culture. He was a consulting editor to Baker'sBiographical Dictionary of Musicians, Centennial Edition, and has authored several books on popular music performers, including Barbra Streisand and Chicago. He resides in New York City.
Breaking Records
€173.60
