Brecon’s Hidden Theatre History, 1699–1870

Regular price €192.20
Quantity:
Will Deliver When Available
Shipping & Delivery
A01=Jayne Gold
Author_Jayne Gold
Brecon Theatrical History
Category=AFKP
Category=ATDF
Category=NHW
Community Engagement
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
Theatre History

Product details

  • ISBN 9781041290056
  • Dimensions: 156 x 234mm
  • Publication Date: 10 Jul 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Brecon’s Hidden Theatre History, 1699–1870 uncovers how the Welsh market town of Brecon became a key center for theatrical innovation and women’s cultural leadership over nearly two centuries.

Sarah Siddons’ 1755 birth in Brecon is revealed as part of a rich theatrical tradition that predated her by at least fifty years. Drawing on the archival collection of renowned local historian Sister Bonaventure Kelleher and newly discovered materials, this study recovers forgotten patterns of provincial theatrical practice. It introduces a pioneering "archival resident" methodology, blending microhistory with community-based research to reveal the vital roles women played as theatre managers, patrons, and innovators. The book challenges London-centric narratives of British theatre history, offering compelling evidence of female agency in public cultural life. By demonstrating how provincial communities like Brecon shaped distinctive theatrical traditions, it provides a replicable model for recovering overlooked local histories through rigorous archival scholarship and community engagement.

This book is essential for theatre historians, scholars of women’s history, Welsh historians, and anyone interested in cultural history. It will appeal to those studying courses in theatre studies, gender studies, or local history, as well as general readers eager to explore how overlooked communities and voices have shaped the broader cultural landscape.

Jayne Gold is an Assistant Professor of Theatre Arts at Utah State University whose research, practice, and teaching spans academia and community engagement.

More from this author