Bring the Funny

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A01=Greg DePaul
advanced comedy scriptwriting strategies
apatow
Author_Greg DePaul
Big Fat Greek Wedding
Big Lebowski
bride
Bruce Almighty
Category=CBVS
character development techniques
comedic escalation methods
comedy
Comedy Screenwriter
Comic Book Movies
comic narrative theory
Domestic Box Office
DVD Box
Editing Hat
eq_bestseller
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
field
film industry career guide
Funny Kids
Gefilte Fish
genre hybridization
Horror Movie
judd
Lego Movie
Master Scene
Monster Truck Rally
pop
quiz
Recreational Vehicle
Ron Burgundy
screenplay structure
screenwriter
Silver Linings Playbook
Skip Tracer
Smart Phones
Studio Apartment
syd
Toyota Tercel
True Ensemble
Tv Script
Tv Writer
Violate
wars

Product details

  • ISBN 9781138929265
  • Weight: 220g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Jul 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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A sharp, funny book about comedy screenwriting from a successful screenwriter that uses recent – as in this century – movies you've actually seen as examples.

Greg DePaul (Screenwriter, Bride Wars, Saving Silverman) has sold scripts to Miramax, Fox, Disney, New Line, Sony, MGM and Village Roadshow. He's worked with comedy stars like Jack Black, Kate Hudson, Jason Biggs and Amanda Peet.

Now Greg takes everything he knows about writing comedy and breaking into the biz, tosses it into a blender and serves up this tasty, fat-free smoothie of a book that’s easy to read, brutally honest, and straight from the heart ... of Hollywood.

Bring the Funny is chock full o' tricks, strategies and insider terms used by successful comedy screenwriters, including:

Comic Justice Wrylies Genre-Bending Shadow Characters

The BDR's The Two-Hander The Conceit Comedic Escalation

Gapping A.I.C. Fish Outta Water The Idea Factory

Really Important Comedy Screenwriting Rules Number 99 and 100

If you're looking to write funnier and better screenplays, you want this book. But if you're ready to pack up your car, drive out to L.A., and dive into a career as a comedy screenwriter, you need this book. Now.

Buy it, jam it into your pocket, and hit the gas. Greg's got your back.

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