British Cinema in Documents

Regular price €46.99
A01=Sarah Street
American Review
archival film research
Author_Sarah Street
Bernard Miles
British Film
British film archival documents
British Film Industry
British Film Institute Library
Category=ATF
Category=ATFA
Category=ATY
Category=JBCC
Category=JBCT
Category=NHT
censors
cinema audience studies
Cri De Coeur
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fan
Fan Magazines
film
Film Stardom
Films Bill
goer
Hanky Park
Hays Office
industry
Len England
Leslie Arliss
magazines
media censorship history
Mr Chips
Mrs Bull
News Reel
office
oral history methodology
Pilgrim Pictures
Pillow Book
public
record
regular
Regular Cinema Goer
Secretary Of State
Sir John Woods
star studies scholarship
Tawny Pipit
Velvet Goldmine
visual culture analysis
Wicked Lady
Young Man

Product details

  • ISBN 9780415168014
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Jul 2000
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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British Cinema in Documents presents an introduction to the key concerns and debates in British cinema through documents, ranging from official papers to fan magazines. Sarah Street shows how such documentary material can enrich our understanding of cinema's place in national culture and shed new light on defining moments in British cinema history.
Street draws together a wide range of material, discussing oral histories, film posters and stills and star memorabilia alongside audience surveys, censorship reports, fan magazines and web sites, providing a context for each extract she discusses. She uses a series of case studies, including film censorship during the Second World War, the fan cultures surrounding stars from Margaret Lockwood to Ewan McGregor, and surveys of the British cinema audience to illustrate how archival research can provide a new understanding of the relationship between a film and other kinds of texts, and between films, their audiences, and the state.

Sarah Street is Senior Lecturer in the Department of Drama: Theatre, Film and Television at the University of Bristol. She is the author of British National Cinema (Routledge 1997).