British Cinema in the Fifties

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Christine Geraghty
ABPC
Author_Christine Geraghty
Blue Lamp
bogarde
British Cinema
British film gender genre analysis
British War Film
Category=ATFA
Category=JBCC
Category=JBCT
Category=NH
Category=NHD
Category=NHTB
cinematic realism analysis
Colditz Story
Companionate Marriage
cruel
Cruel Sea
Dam Busters
Delinquency
dirk
Dirk Bogarde
Ealing Film
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Face To Face
film theory academic
films
finch
Gainsborough Melodramas
gender representation film
Henry III
Holiday Camp
King's Rhapsody
King’s Rhapsody
Long Shots
Make Up
Married Women
national identity studies
peter
Peter Finch
postwar British society
problem
sea
social
social change Britain
Social Problem Film
war
War Film
Whisky Galore
Yellow Balloon
Young Man

Product details

  • ISBN 9780415171571
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 10 Aug 2000
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children.
Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.

Christine Geraghty is a Senior Lecturer in Media and Communications at Goldsmiths College, University of London. She is the author of Women and Soap Opera (Polity, 1991), the co-editor of The Television Studies Book (Arnold, 1998) and has contributed essays on British cinema to a number of important collections.

More from this author