British Cinema of the 1950s

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A01=Sue Harper
A01=Vincent Porter
Author_Sue Harper
Author_Vincent Porter
Category=ATFA
Category=JBCC
Category=JBCC1
Category=KNTC
Category=NHTB
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eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=0
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics

Product details

  • ISBN 9780198159346
  • Weight: 763g
  • Dimensions: 161 x 242mm
  • Publication Date: 11 Sep 2003
  • Publisher: Oxford University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.

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