British Folk Revival

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A01=Michael Brocken
Audiovisual Contract
Author_Michael Brocken
BBC Local Radio
BBC Radio Merseyside
BBC Radio Network
BBC Sound
Bert Jansch
British Folk
British Folk Revival
British Folk Scene
Category=AB
Category=AVLP
Category=AVLT
Category=JBCC1
Cecil Sharp
clubs
Contemporary Folk Music
Country Music
cultural authenticity
EFDSS
English Folk Dance Society
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicology
Folk Club
folk music social learning processes
Folk Revival
Folk Scene
Folk Song
folklore studies
gender in music traditions
John Axon
Karl Dallas
media influence on folk music
Melody Maker
music
music sociology
Popular Music
Popular Music Texts
Soul Plays
Young Men

Product details

  • ISBN 9781032309156
  • Weight: 485g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Aug 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Almost 20 years ago Michael Brocken created from his doctoral research, what became both a seminal and contested volume concerning the social mores surrounding the British Folk Revival up to that point in time: The British Folk Revival 1944–2002. In this long-overdue second edition he revisits not only his own research, but also that of others from the 1990s and early 21st century. He then considers how a discourse of folkloric authenticity emerged in the closing years of the 19th century and how a worrying nationalistic immanence came to surround folk music and dance during the inter-war years. Brocken also proposes that the media: records, radio and TV in post-WWII folk revivalism can offer us important insights into how self-directed learning of the folk guitar emerged.

Brocken moves on to consider the business structures of the contemporary folk scene and how relationships are formed between contemporary folk business and the digital and social media spheres. In his penultimate chapter he discusses the masculinisation of folk traditions and asks important questions about how our folk traditions are carried and are authorised. In the final chapter he also considers the rise of an exciting new folk live music built environment.

Michael Brocken is Senior Fellow of the Higher Education Academy. He is a freelance researcher, lecturer, writer and broadcaster and lives in Prestatyn, North Wales. Mike currently presents Folkscene on BBC Radio Merseyside: the longest running specialist music radio show in British broadcasting history.

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