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British Genres
British Genres
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€279.00
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"Pimpernel" Smith
A01=Marcia Landy
Age Group_Uncategorized
Age Group_Uncategorized
Alec Guinness
Another Woman
Author_Marcia Landy
automatic-update
Beveridge Report
Black Narcissus
Blake Edwards
Carol Reed
Category1=Non-Fiction
Category=AFKV
Category=APF
Category=HBTB
Category=JHB
Censorship
Charles Laughton
Clarissa
COP=United States
Culture industry
David Tomlinson (actor)
Deborah Kerr
Delivery_Delivery within 10-20 working days
Dennis Price
Diana Dors
Dirk Bogarde
Ealing Studios
Edgar Wallace
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film noir
Genre
Gert and Daisy
Hammer Film Productions
Hartley Power
His Family
Horror fiction
Horror film
Ideology
Imperialism
Impossibility
James Whale
Kathleen Harrison
Language_English
Love and Death
Magic square
Malcolm Muggeridge
Margaret Rutherford
Melodrama
Miles Malleson
Narcissism
Narrative
Nazism
Old Bones of the River
PA=Available
Patricia Roc
Price_€100 and above
Private Property
Prostitution
PS=Active
Psychoanalysis
Puritans
Racism
Ridicule
Romeo and Juliet
Ryan's Daughter
Satire
Social problem film
softlaunch
Struggle (TV series)
Superiority (short story)
The Bad Lord Byron
The Doctor's Dilemma (play)
The Life and Death of Colonel Blimp
The Next of Kin
The October Man
The Other Hand
The Weak and the Wicked
The Wicked Lady
The Young Mr Pitt
Two Women
Victoria the Great
War film
White feather
William Holden
Woman's film
Young Mr. Lincoln
Product details
- ISBN 9780691637228
- Weight: 1219g
- Dimensions: 178 x 254mm
- Publication Date: 19 Apr 2016
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
In this unprecedented survey of British cinema from the 1930s to the New Wave of the 1960s, Marcia Landy explores how cinematic representation and social history converge. Landy focuses on the genre film, a product of British mass culture often dismissed by critics as "unrealistic," showing that in England such cinema subtly dramatized unresolved cultural conflicts and was, in fact, more popular than critics have claimed. Her discussion covers hundreds of works--including historical films, films of empire, war films, melodrama, comedy, science-fiction, horror, and social problem films--and reveals their relation to changing attitudes toward class, race, national identity, sexuality, and gender. Landy begins by describing the status and value of genre theory, then provides a history of British film production that illuminates the politics and personalities connected with the major studios. In vivid accounts of the films within each genre, she analyzes styles, codes, and conventions to show how the films negotiate history, fantasy, and lived experience. Throughout Landy creates a dynamic sense of genre and of how the genres shape, not merely reflect, cultural conflicts.
Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
British Genres
€279.00
