British Opera in America

Regular price €107.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
ballad opera
ballad opera studies
Category=AV
early American musical theater analysis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnic stage traditions
ethnic theater
incidental music
Melodrama
melodrama performance history
minstrelsy
minstrelsy scholarship
nineteenth-century theater
parlor entertainment research
parlor entertainments
pastiche
temperance shows

Product details

  • ISBN 9780815313687
  • Weight: 453g
  • Dimensions: 210 x 280mm
  • Publication Date: 01 Mar 1994
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

The series aims to represent all the major genres and styles of musical theater of the century, from ballad opera through melodrama, plays with incidental music, parlor entertainments, pastiche, temperance shows, ethnic theater, minstrelsy, and operetta, to grand opera. This series of sixteen volumes provides for the first time ever a comprehensive set of works from a full century of musical theater in the United States of America. Volume 1 presents the earliest works in this series of Nineteenth-Century American Musical Theater. Indeed, the two tides reprinted here were composed in the prior century but enjoyed a currency in the early 1800s that helped establish conventions for generations of native-born dramaturges and composers. Moreover, Children in the Wood 1795 and Blue Beard 1811 are the only two works included in this series that were fully realized abroad, and imported for performance in the United States by musicians trained in the theaters of London. As editor Susan Porter points out in her Introduction, like all stage works, they were then adapted to suit the tastes of the times and places in which they were performed. (Indeed, Blue Beard was already an English adaptation of a French work.)

Susan L. Porter Ohio State University