British School of Sculpture, c.1760-1832

Regular price €204.60
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
art historiography
art history
Britain
British art
British Sculpture
Caius Gabriel Cibber
Category=AFKB
Category=AGA
colonial art exchange
Cunningham's Account
Cunningham’s Account
Die Nachahmung Der Griechischen Werke
East India House
eighteenth century
eighteenth-century art
Eleanor Hughes
England
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
George III
George Stubbs
Grinling Gibbons
Hindu sculpture
Hinduism
history of sculpture
India
Indian art
Indian sculpture
Jason Edwards
Joan Coutu
John Bacon
John Bacon Senior
M. G. Sullivan
Martin Myrone
Matthew Craske
Michael Rysbrack
Modern Rome
National Biography
neoclassical
neoclassicism critique
Neue Teutsche Merkur
nineteenth century
Procter's Works
Procter’s Works
public monuments Britain
Richard Westmacott
Roberto C. Ferrari
Rockingham Whigs
Rossi's Memorial
Rossi’s Memorial
Royal Academy
Royal Academy debates
sculpture
sculpture reception in Europe
St Martin's Lane
St Martin's Lane Academy
St Martin’s Lane
St Martin’s Lane Academy
Thomas Banks
Tomas Macsotay
United Kingdom
Young Men

Product details

  • ISBN 9781472435767
  • Weight: 793g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

The British School of Sculpture, c. 1760–1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.

Sarah Burnage is an independent art historian and curator.

Jason Edwards is Professor of Art History at the University of York.