Broken Estate

Regular price €21.99
A01=James Wood
anton chekhov
art history
arts
Author_James Wood
buddhism
catechism
Category=DNBL
Category=DNL
Category=DSB
Category=DSK
Category=QR
catholic
contemporary
creativity
death
education
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
essays
faith
fun stuff
george steiner
gustave flaubert
herman melville
how god works
india
jane austen
language
linguistics
literary
literature
martin amis
nikolai gogol
nonfiction
occult
penguin classics
period drama
philosophy
religion
renaissance
school
sociology
spain
spirit
spiritual
spiritualism
spirituality
theology
theosophy
thomas mann
thomas pynchon
top 10 non-fiction
top ten non-fiction
translation
virginia woolf
writing
yoga
zen

Product details

  • ISBN 9780712665575
  • Weight: 356g
  • Dimensions: 135 x 216mm
  • Publication Date: 02 Mar 2000
  • Publisher: Vintage
  • Publication City/Country: GB
  • Product Form: Paperback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

In a series of long essays, James Wood examines the connection between literature and religious belief, in a startlingly wide group of writers. Wood re-appraises the writing of such figures as Thomas More, Jane Austen, Herman Melville, Anton Chekhov, Thomas Mann, Nikolai Gogol, Gustave Flaubert and Virginia Woolf, vigorously reading them against the grain of received opinion, and illuminatingly relating them to questions of religious and phiosophical belief.

Contemporary writers, such as Martin Amis, Thomas Pynchon and George Steiner, are also discussed, with the boldness and attention to language that have made Wood such an influential and controversial figure. Writing here about his own childhood struggle to believe, Wood says that 'the child of evangelism, if he does not believe, inherits nevertheless a suspicion of indifference'. Wood brings that suspicion to bear on literature itself. The result is a unique book of criticism.

James Wood has been a staff writer at the New Yorker since 2007. In 2009, he won the National Magazine Award for reviews and criticism. He was the chief literary critic at the Guardian from 1992 to 1995, and a book critic at the New Republic from 1995 to 2007. He has published a number of books with Cape, including How Fiction Works, which has been translated into thirteen languages.