Bronze Head From Ife

3.40 (5 ratings by Goodreads)
Regular price €8.99
9780714125923
A01=Editha Platte
A01=Musa Hambolu
Age Group_Uncategorized
Age Group_Uncategorized
Author_Editha Platte
Author_Musa Hambolu
automatic-update
British Museum Press
Bronze
Bronze Head from Ife
Casemate
Category1=Non-Fiction
Category=ACBK
Category=AFKB
Category=AGA
COP=United Kingdom
Delivery_Pre-order
Edith Platte
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Head
King
Language_English
Musa Hambolu
Nigeria
PA=Temporarily unavailable
Price_€10 to €20
PS=Active
SN=Objects in Focus
softlaunch
West Africa

Product details

  • ISBN 9780714125923
  • Weight: 150g
  • Dimensions: 147 x 210mm
  • Publication Date: 08 Mar 2010
  • Publisher: British Museum Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Believed to represent a king, the beautiful bronze head in the British Museum is one of seventeen objects unearthed in 1938–9 at the town of Ife in Nigeria. The stunning naturalism and sophisticated craftsmanship of the objects challenged Western perceptions of African art at the time, which were largely based around abstract wooden figures. It was consequently assumed at first that they must have been made by Europeans or under European influence. In time, however, they came to be seen as wholly African, probably dating from the twelfth to fourteenth centuries, and representative of a hitherto unknown artistic tradition on that continent. The bronze head from Ife is one of the most prized objects in the British Museum’s African collections. This book tells its fascinating story, from its discovery to its reception and exhibition in Britain, where it influenced and inspired several major artists. The author also describes how the head has taken on a new life and significance in its homeland, where images of it have abounded since Nigeria declared independence from Britain in 1960.