Brown Beauty

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A01=Laila Haidarali
African American literature
African American womanhood
African American women
African American youth
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Author_Laila Haidarali
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black beauty ideals
black middle class
brown skin beauty ideals
brown skin models
Brown v Board of Education
brown-skin mulatta
Category1=Non-Fiction
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Category=JBSL
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Charles H Parrish
Charles S Johnson
Cold War politics
consumer advertising
consumption
COP=United States
cosmetics
Dark Princess A Romance
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Elise Johnson McDougald
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Franklin E Frazier
gender politics
Great Depression
Harlem educator
Harlem Renaissance fiction
interwar years
Language_English
literary journals
middle class
mixed race
New Negro
New Negro woman
new woman
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Price_€50 to €100
print culture
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race concept
racial liberals
softlaunch
The Crisis
transnational activism
urbanization and race
W E B Du Bois
woman’s era
women's poetry
WWII

Product details

  • ISBN 9781479875108
  • Weight: 771g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Sep 2018
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Examines how the media influenced ideas of race and beauty among African American women from the Harlem Renaissance to World War II.

Between the Harlem Renaissance and the end of World War II, a complicated discourse emerged surrounding considerations of appearance of African American women and expressions of race, class, and status. Brown Beauty considers how the media created a beauty ideal for these women, emphasizing different representations and expressions of brown skin.
Haidarali contends that the idea of brown as a “respectable shade” was carefully constructed through print and visual media in the interwar era. Throughout this period, brownness of skin came to be idealized as the real, representational, and respectable complexion of African American middle class women. Shades of brown became channels that facilitated discussions of race, class, and gender in a way that would develop lasting cultural effects for an ever-modernizing world.
Building on an impressive range of visual and media sources—from newspapers, journals, magazines, and newsletters to commercial advertising—Haidarali locates a complex, and sometimes contradictory, set of cultural values at the core of representations of women, envisioned as “brown-skin.” She explores how brownness affected socially-mobile New Negro women in the urban environment during the interwar years, showing how the majority of messages on brownness were directed at an aspirant middle-class. By tracing brown’s changing meanings across this period, and showing how a visual language of brown grew into a dynamic racial shorthand used to denote modern African American womanhood, Brown Beauty demonstrates the myriad values and judgments, compromises and contradictions involved in the social evaluation of women. This book is an eye-opening account of the intense dynamics between racial identity and the influence mass media has on what, and who we consider beautiful.

Laila Haidarali lectures on African American and women’s history at the University of Essex.

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