Building Musical Culture in Nineteenth-Century Amsterdam

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A01=Darryl Cressman
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Amsterdam musical culture
attentive listening
Author_Darryl Cressman
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Category1=Non-Fiction
Category=AS
Category=ATQ
Category=ATX
Concert halls
COP=Netherlands
Delivery_Delivery within 10-20 working days
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
media history
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Price_€100 and above
PS=Active
softlaunch
sound studies

Product details

  • ISBN 9789089649485
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Mar 2016
  • Publisher: Amsterdam University Press
  • Publication City/Country: NL
  • Product Form: Hardback
  • Language: English
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When people attend classical music concerts today, they sit and listen in silence, offering no audible reactions to what they're hearing. We think of that as normal-but, as Darryl Cressman shows in this book, it's the product of a long history of interrelationships between music, social norms, and technology. Using the example of Amsterdam's Concertgebouw in the nineteenth century, Cressman shows how its design was in part intended to help discipline and educate concert audiences to listen attentively - and analysis of its creation and use offers rich insights into sound studies, media history, science and technology studies, classical music, and much more.
Darryl Cressman received his PhD from the School of Communication at Simon Fraser University and is a lecturer in the Philosophy of Technology at Maastricht University. He has published articles on media theory and the philosophy of technology.

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