Building the Operatic Museum

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A01=William Gibbons
Age Group_Uncategorized
Age Group_Uncategorized
art history
Author_William Gibbons
automatic-update
Category1=Non-Fiction
Category=AVGC9
Category=AVLF
COP=United States
culture and music
Delivery_Delivery within 10-20 working days
eighteenth century France
eighteenth century French music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
French history
French opera
French Revolution
Language_English
literature
museum studies
music theory
musicology
opera
PA=Available
Price_€50 to €100
PS=Active
softlaunch
twentieth century France
vocal studies

Product details

  • ISBN 9781580464000
  • Weight: 606g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jun 2013
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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The pathbreaking revival in Paris ca. 1900 of long-neglected operas by Mozart, Gluck, and Rameau -- and what this meant to French audiences, critics, and composers. Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works ofvisual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this "museum" transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness. William Gibbons is Associate Professor of Musicology at Texas Christian University.

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