Butoh, as Heard by a Dancer

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A01=Dominique Savitri Bonarjee
Admiring La Argentina
Akira
Akira Kasai
Ankoku Butoh
Author_Dominique Savitri Bonarjee
avant-garde choreography
butoh
Butoh Dance
Category=AB
Category=AFKP
Category=ATD
Category=ATQ
Category=GTM
Category=JHM
Category=NHF
contemporary Butoh practitioner perspectives
dance
dance transmission pedagogy
DSB
Dumb Type
embodied movement research
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Exhausted Body
Innate Genitality
Japanese performance studies
Japanese Traditional Dance
La Argentina
Material Entity
Neue Tanz
non-Western performance theory
performance
Post-war Westernization
postwar cultural history
Primal Physicality
Reflective Spheres
Roving Hand
Tatsumi Hijikata
theatre
Ushio Amagatsu
Wo
Yamagata Prefecture
Yellow Crystalline Light
Young Man
Yukio Mishima
Yukio Waguri

Product details

  • ISBN 9780367631215
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jan 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores the origins of Butoh in post-war Japan through orality and transmission, in conjunction with an embodied research approach.

The book is a gathering of seminal artistic voices – Yoshito Ohno, Natsu Nakajima, Yukio Waguri, Moe Yamamoto, Masaki Iwana, Ko Murobushi, Yukio Suzuki, Takao Kawaguchi, Yuko Kaseki, and the philosopher, Kuniichi Uno. These conversations happened during an extended research trip I made to Japan to understand the context and circumstances that engendered Butoh. Alongside these exchanges are my reflections on Butoh’s complex history. These are primarily informed by my pedagogical and performance encounters with the artists I met during this time, rather than a theoretical analysis. Through the words of these dancers, I investigate Butoh’s tendency to evade categorization. Butoh’s artistic legacy of bodily rebellion, plurality of authorship, and fluidity of form seems prescient and feels more relevant in contemporary times than ever before.

This book is intended as a practitioner's guide for dancers, artists, students, and scholars with an interest in non-Western dance and dance history, postmodern performance, and Japanese arts and culture.

Dominique Savitri Bonarjee is a dancer and an artist, currently completing her doctoral research in the Department of Art, Goldsmiths University of London, UK.

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