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A01=Sondra Fraleigh
aesthetics
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art
Asian American studies
Asian studies
Author_Sondra Fraleigh
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bombings
Butoh
Category1=Non-Fiction
Category=ASD
Category=ATQ
COP=United States
cultural studies
dance
dance history
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development
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ethnic
Hiroshima
history
international
Japan
Japanese dance
Japanese dance theater
Language_English
major figures
Nagasaki
origins
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performance
philosophy
politics
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softlaunch
somatics
theater
World War II
WWII

Product details

  • ISBN 9780252077418
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 09 Sep 2010
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Both a refraction of the bombings of Hiroshima and Nagasaki and a protest against Western values, butoh is a form of Japanese dance theater that emerged in the aftermath of World War II. Sondra Fraleigh chronicles the growth of this provocative art form from its mid-century founding under a sign of darkness to its assimilation in the twenty-first century as a poignant performance medium with philosophical and political implications. Through highly descriptive, thoughtful, and emotional prose, Fraleigh traces the transformative alchemy of this metaphoric dance form by studying the international movement inspired by its aesthetic mixtures. While butoh has retained a special identity related to its Japanese background, it also has blossomed into a borderless art with a tolerant and inclusive morphology gaining prominence in a borderless century.  Employing intellectual and aesthetic perspectives to reveal the origins, major figures, and international development of the dance, Fraleigh documents the range and variety of butoh artists around the world with first-hand knowledge of butoh performances from 1973 to 2008. Her definitions of butoh's morphology, alchemy, and philosophy set a theoretical framework for poetic and engaging articulations of twenty butoh performances in Japan, Europe, India, and the West. With a blend of scholarly research and direct experience, she also signifies the unfinished nature of butoh and emphasizes its capacity to effect spiritual transformation and bridge cultural differences.
Sondra Fraleigh is a professor emeritus of dance at the State University of New York College at Brockport. She is the author of Dancing into Darkness: Butoh, Zen, and Japan and Dancing Identity: Metaphysics in Motion.

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