By Alison Knowles: A Retrospective (1960–2022)
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A07=Alison Knowles
A14=Benjamin H D Buchloh
A23=Julie Rodrigues Widholm
A32=Hannah B Higgins
A32=Lauren Fulton
A32=Lucia Fabio
A32=Maud Jacquin
A32=Nicole L Woods
A32=Sebastien Pluot
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Alison Knowles
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B01=Karen Moss
B01=Lucia Fabio
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COP=United States
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female installation artists
female performance artists
feminist artists
Fluxis artists
John Cage collaborators
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Product details
- ISBN 9780983881346
- Dimensions: 222 x 305mm
- Publication Date: 10 Nov 2022
- Publisher: University of California, Berkeley Art Museum and Pacific Film Archive
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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The first survey of the Fluxus cofounder’s prolific avant-garde output, from eight-foot-tall books to make-a-salad performances
Published with University of California, Berkeley Art Museum and Pacific Film Archive.
The American artist Alison Knowles' (born 1933) groundbreaking experiments—from painting and printmaking to sculpture and installation, sound works, poetry and artist's books—have influenced art and artists for more than 50 years but remain relatively unknown among mainstream audiences. The first comprehensive volume on the artist, By Alison Knowles: A Retrospective presents more than 200 objects that span the entire breadth of her career, from her intermedia works of the 1960s to forms of participatory and relational art in the 2000s.
The accompanying catalog features contributions by international Fluxus curators, historians and scholars, including lead essays by organizer Karen Moss, Hannah B. Higgins and Nicole Woods, and short contributions by co-editor Lucia Fabio, Lauren Fulton, Maud Jacquin and Sébastien Pluot. It also includes reprints of key articles by Benjamin Buchloh, Julia Robinson and Kristine Stiles, as well as a conversation between Alison Knowles and poet George Quasha. Richly illustrated with more than 250 images, the full-color catalog, designed by Kimberly Varella, includes a softcover lay-flat binding, special colored papers for each section, die-cut section dividers and a chronology. The cover of the book is a makeready (press sheets gathered from printing the interior of the book) produced during the printing of the interior pages. Each cover in the edition is unique.
