Byron and Italy

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Anglo-Italian identity
Byron's dramas
Byron's letters
Byron's narrative art
Byronic lyricism
Byronic satire
Byron’s dramas
Byron’s letters
Byron’s narrative art
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history
place
politics
religion/Catholicism
religionCatholicism

Product details

  • ISBN 9781526100559
  • Weight: 490g
  • Dimensions: 138 x 216mm
  • Publication Date: 15 Dec 2017
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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Winner of the Elma Dangerfield Prize 2018

Byron in Italy – Venetian debauchery, Roman sight-seeing, revolution, horse-riding and swimming, sword-brandishing and pistol-shooting, the poet’s ‘last attachment’ – forms part of the fabric of Romantic mythology. Yet Byron’s time in Italy was crucial to his development as a writer, to Italy’s sense of itself as a nation, to Europe’s perceptions of national identity and to the evolution of Romanticism across Europe. In this volume, Byron scholars from Britain, Europe and beyond re-assess the topic of ‘Byron and Italy’ in all its richness and complexity. They consider Byron’s relationship to Italian literature, people, geography, art, religion and politics, and discuss his navigations between British and Italian identities.

Alan Rawes is Senior Lecturer in Romanticism at the University of Manchester

Diego Saglia is Professor of English Literature at the University of Parma