Byron, Sully, and the Power of Portraiture

Regular price €117.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=John Clubbe
Art
Author_John Clubbe
British American art history
Byron
Byron Portrait
Byron's Countenance
Byron's Eyes
Category=AFC
Category=AGA
Category=AGB
Category=AGHF
Dr Gachet
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eyes Bright
Federal period art
Full Length Portrait
Girard College
Grand Manner Portraiture
historical provenance research
History Painting
Hunter Translation
Large Family
Lavater's Ideas
Lavaterian Physiognomy
Literature
Oriental Tales
Pennsylvania Academy
physiognomy theory
Point Breeze
Portraiture
Richard III
Robert Gilmor
Romanticism studies
Royal Academy
Sully
Sully Byron portrait analysis
Sully's Painting
Sully's Portrait
transatlantic cultural exchange
Washington Crossing
Washington's Passage
Washington’s Passage
Year's Royal Academy Exhibition
Younger Man

Product details

  • ISBN 9781138659674
  • Weight: 860g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Apr 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

First published in 2005. Since the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sulley’s Byron has never before been the subject of scholarly study. Beginning with the discovery of the portrait in 1999 and a 200-year narrative of the portrait’s provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries.

More from this author