A01=Ioannis Spatharakis
Agia Trias
Agios Dimitrios
Agios Konstantinos (Artos)
Argyroupolis
Arkadi
Author_Ioannis Spatharakis
Category=AFC
Category=AGA
Chromonastiri
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Kato Poros
Kato Valsamonero
Mountros
Myriokephala
Pigi
Prasses
Rousospiti
Roustika
St. George
Product details
- ISBN 9781899828036
- Weight: 1620g
- Dimensions: 170 x 240mm
- Publication Date: 31 Dec 1999
- Publisher: Pindar Press
- Publication City/Country: GB
- Product Form: Hardback
Secure
checkout
Fast Shipping
Easy returns
This is a systematic publication of the approximately 20 Byzantine churches with wall-paintings which have survived destruction in the province of Rethymnon, Crete. They date from ca. 1000 A.D. to the fifteenth century. Most were decorated during the Palaeologan era, when the island was occupied by the Venetians (1211-1669 A.D). These monuments are little known to the scholarly world.
The style and iconographic programme of each church is investigated, as well as the iconography of the scenes. Special attention is paid to rare and unique iconographic subjects, e.g., a full cycle of the Akathistos and a cycle of the Life of St. John the Evangelist. Certain themes prompt an examination of the degree of western influence on iconography and style.
The wall-paintings of Rethymnon significantly enrich our knowledge of Byzantine art, especially that of the late Palaeologan era. Alongside local artists, who worked in a provincial style, we find painters who applied the styles that were in vogue in the great Byzantine artistic centres of Macedonia, Mistra and Constantinople itself. This can be explained by the immigration of artists from the major centres. A few are known to us by name.
This publication is the first of four volumes on the churches in the nomos of Rethymnon, which will include the provinces of Mylopotamos, Amari and Agios Basileios. There are over 400 plates, many in colour.
The style and iconographic programme of each church is investigated, as well as the iconography of the scenes. Special attention is paid to rare and unique iconographic subjects, e.g., a full cycle of the Akathistos and a cycle of the Life of St. John the Evangelist. Certain themes prompt an examination of the degree of western influence on iconography and style.
The wall-paintings of Rethymnon significantly enrich our knowledge of Byzantine art, especially that of the late Palaeologan era. Alongside local artists, who worked in a provincial style, we find painters who applied the styles that were in vogue in the great Byzantine artistic centres of Macedonia, Mistra and Constantinople itself. This can be explained by the immigration of artists from the major centres. A few are known to us by name.
This publication is the first of four volumes on the churches in the nomos of Rethymnon, which will include the provinces of Mylopotamos, Amari and Agios Basileios. There are over 400 plates, many in colour.
