California Polyphony

Regular price €44.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Mina Yang
affluent
African American
African American music
African American music California
Asian American hip hop
Asian American music
Author_Mina Yang
California avant-garde music
California cultural life
California experimental music
California hip hop
California music
California music culture
California music scene
California musical history
Californian
case studies
Category=AV
Chicano music
Chicano music California
Chicano music culture
class
contribution
cultural history
culture
East Asian American music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnic
experimental music
film noir music
film noir scores
gender
hip hop culture
Korean American hip hop
Korean American music
Korean American music California
Los Angeles blues
Los Angeles jazz
Mestizo identity
Mestizo music
Mexican American
Mexican American music California
multicultural
music
musicology
orientalism
orientalism and California culture
politics
popular culture
populous
queerness
queerness and California
queerness and California culture
race
sexuality
state
trend

Product details

  • ISBN 9780252032431
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 04 Mar 2008
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
What does it mean to be Californian? To find out, Mina Yang delves into multicultural nature of musics in the state that has launched musical and cultural trends for decades.

In the early twentieth century, an orientalist fascination with Asian music and culture dominated the popular imagination of white Californians and influenced their interactions with the Asian Other. Several decades later, tensions between the Los Angeles Police Department and the African American community made the thriving jazz and blues nightclub scene of 1940s Central Avenue a target for the LAPD's anti-vice crusade. The musical scores for Hollywood's noir films confirmed reactionary notions of the threat to white female sexuality in the face of black culture and urban corruption while Mexican Americans faced a conflicted assimilation into the white American mainstream. Finally, Korean Americans in the twenty-first century turned to hip-hop to express their cultural and national identities.

A compelling journey into the origins of musical identity, California Polyphony explores the intersection of musicology, cultural history, and politics to define Californian.

Mina Yang is a professor of arts and humanities at the Minerva Schools at the Keck Graduate Institute. She is the author of Planet Beethoven: Classical Music at the Turn of the Millennium

More from this author