20-50
A01=Larry Eigner
A23=Charles Bernstein
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American modernist poetry
Author_Larry Eigner
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B01=Curtis Faville
B01=Robert B. Grenier
Berkeley
Black Mountain poets
Category1=Non-Fiction
Category=DCF
cerebral palsy
COP=United States
creative process
creativity
Delivery_Delivery within 10-20 working days
disability
Disability Poetics
disability studies
eco-poets
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eq_non-fiction
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experimental verse
Language movement
Language_English
mid-20th-century poetry
PA=Available
poetic aesthetics
poetic originality
Price_€20 to €50
Projectivist movement
PS=Active
recovery
Royal manual typewriter
SN=Modern & Contemporary Poetics
softlaunch
Swampscott
visual spacing in poetry
Product details
- ISBN 9780817358747
- Weight: 700g
- Dimensions: 178 x 229mm
- Publication Date: 21 Mar 2017
- Publisher: The University of Alabama Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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Larry Eigner began writing poetry at age eight and was first published at age nine. Revered by poets and artists across a broad spectrum of generations and schools, Eigner’s remarkably moving poetry was created through enormous effort: because of severe physical disabilities, he produced his texts by typing with only one index finger and thumb on a 1940 Royal manual typewriter, creating a body of work that is unparalleled in its originality.
Calligraphy Typewriters showcases the most celebrated of Eigner’s several thousand poems, which are an important part of both the Black Mountain/Projectivist movement of the 1950s and the Language movement of the 1970s and 1980s. In its two sections—Swampscott and Berkeley, named for the two locales where Eigner lived and worked—the volume traces his fantastic perception of the ordinary and his zeal for language. Eigner’s use of visual space, metaphor, and description provide fascinating insights into both his own life and the world that surrounded him. This volume maintains the distinctive visual spacing of his original typewritten manuscripts, reminders of his method, disability, and aesthetic sensibility.
A collection that reimagines the ordinary, Calligraphy Typewriters is the definitive gathering of Eigner’s work, and will serve well not only poets and students of poetry, but readers and writers of every vein.
Calligraphy Typewriters showcases the most celebrated of Eigner’s several thousand poems, which are an important part of both the Black Mountain/Projectivist movement of the 1950s and the Language movement of the 1970s and 1980s. In its two sections—Swampscott and Berkeley, named for the two locales where Eigner lived and worked—the volume traces his fantastic perception of the ordinary and his zeal for language. Eigner’s use of visual space, metaphor, and description provide fascinating insights into both his own life and the world that surrounded him. This volume maintains the distinctive visual spacing of his original typewritten manuscripts, reminders of his method, disability, and aesthetic sensibility.
A collection that reimagines the ordinary, Calligraphy Typewriters is the definitive gathering of Eigner’s work, and will serve well not only poets and students of poetry, but readers and writers of every vein.
Widely respected American poet Larry Eigner, the author of over 75 books and broadsides, was born “palsied from hard birth” (as he phrased it) in Lynn, Massachusetts, on August 7, 1927. With the exception of two teenage years in residence at the Massachusetts Hospital School in Canton, Eigner spent his first fifty years at home in his parents’ house in Swampscott, Massachusetts, where he was cared for by his mother, Bessie, and his father, Israel, and where he came to do his writing in a space prepared for him on the glassed-in front porch basically every day.
Curtis Faville has worked as a teacher, editor, and publisher with degrees in English, creative writing, and landscape architecture. He has published four collections of poetry—Stanzas for an Evening Out, Ready, Wittgenstein’s Door, and Metro—as well as books by Bill Berkson, Ted Greenwald, and Larry Eigner, among others, under the L Publications/Compass Rose Books imprint. He maintains an eclectic Internet blog, The Compass Rose.
Poet, essayist, and visual artist Robert Grenier has taught literature and creative writing at UC Berkeley, Tufts, Franconia College, and Mills College. He edited Robert Creeley’s first Selected Poems for Scribner’s, and subsequently edited three books of poems by Larry Eigner: Waters / Places / A Time; Windows / Walls / Yard / Ways; and readiness / enough / depends / on. Working with Eigner, Grenier completed the preparation of some 1,800 “established texts” of Eigner’s poems. An archive of Grenier’s own work—the Robert Grenier Papers—is housed in Stanford University’s Green Library.
Curtis Faville has worked as a teacher, editor, and publisher with degrees in English, creative writing, and landscape architecture. He has published four collections of poetry—Stanzas for an Evening Out, Ready, Wittgenstein’s Door, and Metro—as well as books by Bill Berkson, Ted Greenwald, and Larry Eigner, among others, under the L Publications/Compass Rose Books imprint. He maintains an eclectic Internet blog, The Compass Rose.
Poet, essayist, and visual artist Robert Grenier has taught literature and creative writing at UC Berkeley, Tufts, Franconia College, and Mills College. He edited Robert Creeley’s first Selected Poems for Scribner’s, and subsequently edited three books of poems by Larry Eigner: Waters / Places / A Time; Windows / Walls / Yard / Ways; and readiness / enough / depends / on. Working with Eigner, Grenier completed the preparation of some 1,800 “established texts” of Eigner’s poems. An archive of Grenier’s own work—the Robert Grenier Papers—is housed in Stanford University’s Green Library.
