Callimachus and His Critics

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A. E. Housman
A01=Alan Cameron
Agathon
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Antithesis
Aphareus
Aphorism
Aratus
Aristophanes
Aristotelianism
Arsinoe II
Athenaeus
Author_Alan Cameron
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Callimachus
Capture of Oechalia
Castor and Pollux
Category1=Non-Fiction
Category=DSBB
Catullus
Commentarii de Bello Gallico
COP=United States
Critias
Cult of the offensive
Cypria
De Oratore
Declamation
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Democritus
Diocletian
Diphilus
Epigram
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eq_biography-true-stories
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Erudition
Essay
Eunuchus
Euphorion (playwright)
Euripides
Hedylus
Hermippus
Herodas
Hesiod
Hiero (Xenophon)
Hippolochus (writer)
Iambus (genre)
Iasion
Language_English
Letter of Aristeas
Mary Lefkowitz
Mimnermus
Moschus
Muse
Narcissism
Neoclassicism
Nicander
Nicarchus
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Parody
Peleus
Phaedrus (fabulist)
Phocais
Plautus
Poetry
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Res publica
Richard Popkin
Scholasticism
Semonides of Amorgos
Sidonius Apollinaris
softlaunch
Sophocles
Sycophant
The Bacchae
The Philosopher
Themistius
Theocritus
Thucydides
Timocreon
Timon of Phlius
Tiresias
Tristia
Trochee
Tyrtaeus

Product details

  • ISBN 9780691629445
  • Weight: 936g
  • Dimensions: 152 x 235mm
  • Publication Date: 21 Mar 2017
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Callimachus has usually been seen as the archetypal ivory-tower poet, the epitome if not the inventor of the concept of art for art's sake, author of erudite works written to be read in book form by fellow poets and scholars. Abundant evidence, much of it assembled here for the first time, suggests a very different story: a world of civic festivals rather than books and libraries, a world in which poetry and poets played a central and public role. In the course of the argument, Cameron casts fresh light on the lives, dates, works, and interrelationships of most of the other leading poets of the age. Another axiom of modern scholarship is that the object of Callimachus's literary polemic was epic. Yet Cameron shows that the thriving school of epic poets celebrating the wars of Hellenistic kings that has so dominated modern study simply never existed. Elegy was the fashionable genre of the age, and the bone of contention between Callimachus and his rivals (all fellow elegists) was the nature of elegiac narrative. A final chapter sketches some of the implications of this revised view of Callimachus and his world for the interpretation of Roman, especially Augustan, poetry. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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