Camera-Eye Metaphor in Cinema

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A01=Christian Quendler
apparatus theory
Author_Christian Quendler
Camera Consciousness
Camera Eye
Camera Obscura
Carolee Schneemann
Category=ATF
Category=ATFA
Category=JBCC
Category=JBCT
Cinematic Apparatus
Classical Hollywood Cinema
cogntitive theory
Death Watch
Diary Fiction
Diving Bell
Dos Passos
embodied vision in cinema
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film history
film studies
film theory
John Dos Passos
Magnificent Ambersons
media philosophy
metaphor
modernism
modernity
narrative film analysis
narratology
optical unconscious
philosophy
point-of-view
Schneemann
Serafino Gubbio
Sixth Part
style
Subjective Camera
Superimposed
Tagebuch Einer Verlorenen
Tv Studio
Van Druten
Vertov's Kino Eye
Vertov’s Kino Eye
visual perception studies
Visual Purple
Wearable Computers
Young Man

Product details

  • ISBN 9780367873271
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?

Christian Quendler is Associate Professor in the Department of American Studies at the University of Innsbruck, Austria. He is the author of From Romantic Irony to Postmodernist Metafiction and Interfaces of Fiction.

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