Canadian Fashion Economies

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A01=Mark Joseph O'Connell
alternative history
Author_Mark Joseph O'Connell
Category=AKT
Category=AKX
Category=NHTQ
colonial
colonial economy
colonial fashion
colonial trade networks
consumption
cotton trade
cultural appropriation
dissemination
dress
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fashion
fashion object
First Nations
First Nations art
global fashion history
globalization
indigenous
indigenous craft
Indigenous fashion
marginalized
North-western North America
post-colonial economics
post-colonial fashion
pre-colonial fashion
pre-colonial industry
quilting
textile
Tlingit
Tsimshian

Product details

  • ISBN 9781350357365
  • Weight: 660g
  • Dimensions: 160 x 236mm
  • Publication Date: 02 Oct 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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A vital re-examination of Canadian cultural and commercial history told through key fashion objects from First Nations, colonial settlers, and contemporary Canadian culture.

Traditional narratives of fashion tend to ignore sophisticated pre-colonial networks, First Nation innovations and techniques, and their contributions to colonial dress. From exquisite Chilkat weavings to the iconic Hudson’s Bay Company blanket coat, by way of ribbon skirts, quilts, and a beaver-fur top hat, this rich study uses Canadian fashion objects as a research tool to illuminate neglected areas in North American fashion history.

Using vivid object-based research, O’Connell maps out pre-colonial economic networks spanning the entire continent, global colonial textile and fur trades, and the material culture of French and English migrant populations in the ‘New World’, and equips readers with a framework for more nuanced and inclusive histories of Canadian culture and commerce.

Unexpected, overlooked stories emerge as central to Canada’s fashion history, from hybrid fashion cultures to re-used textiles in settler communities, and O’Connell highlights contemporary Canadian artists and designers who point to new possibilities to reclaim and preserve this cultural heritage.

Mark Joseph O’Connell PhD is Professor of Fashion Studies at Seneca College, Toronto, Canada. He is the author of Lilac Time at the Rodeo (2021). His essays have been published in Fashion Theory; Textile the Journal of Cloth and Culture; Fashion, Style & Popular Culture and Fashion Studies. He has lectured on fashion, material culture and craft-based social justice movements in the U.S., Mexico and Canada (in English and Spanish). Prior to teaching, Mark worked as a designer both in-house at M.A.C Cosmetics and for his own clothing line, Modular Menswear.

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