Canon in Contemporary Theatre

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A01=Lars Harald Maagero
agonism theory
Alexander Mork-Eidem
Author_Lars Harald Maagero
Brecht
canon
canonical drama adaptation
Category=AFKP
Category=ATDF
Category=JBCC1
Category=NH
Christopher Ruping
contemporary reinterpretation of classics
contemporary theatre
critical art practice
cultural hegemony analysis
directors
Emma Rice
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
European stage directors
Ibsen
Joe Hill-Gibbins
political theatre
Shakespeare
Sigrid Strom Reibo
Thorleifur Orn Arnarsson

Product details

  • ISBN 9781032421780
  • Weight: 320g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores the relationship between contemporary theatre, particularly contemporary theatre directors, and the dramatic canon of plays.

Through focusing on productions of plays by three canonical playwrights (Shakespeare, Ibsen, and Brecht) by eight contemporary European directors (Michael Buffong, Joe Hill-Gibbins, and Emma Rice from the UK, Christopher Rüping from Germany, Thorleifur Örn Arnarsson from Iceland, and Kjeriski Hom, Alexander Mørk-Eidem, and Sigrid Strøm Reibo from Norway) the book investigates why and how the theatre continues to engage with canonical plays. In particular, the book questions the political and cultural implications of theatrical reproductions of the literary canon. Drawing on Chantal Mouffe’s theories of agonism and ‘critical art,’ the book investigates whether theatrical reproduction of the canon always reconstitutes the hegemonic values and ideologies of the canon, or whether theatrical interventions in the canon can challenge such values and ideologies, and thereby also challenge the dominant ideologies and hegemonies of contemporary culture and society.

This study will be of great interest to academics and students in drama and theatre, particularly those who work with theatre in the twenty-first century, directors’ theatre, and the political impact of theatre.

Lars Harald Maagerø is Lecturer in Performance Making and Analysis at Canterbury Christ Church University.

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