Can't Stand Up For Falling Down

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70s music
80s music
A01=Allan Jones
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Author_Allan Jones
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backstage confessions
backstage stories
Category1=Non-Fiction
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Category=DNBZ
Category=DNJ
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Category=KNTF
classic rock
COP=United Kingdom
dad gift
David Bowie biography
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Elvis Costello biography
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eq_music
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famous bands
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Language_English
Leonard Cohen biography
Lou Reed biography
melody maker magazine
music biography
music book
music essays
music journalism
music magazine
music press
musician biography
Neil Young biography
nostalgia
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Pearl Jam biography
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REM biography
rock and roll
rock music scene
rock n roll biography
rock n roll gift
rock n roll history
rock n roll legends
rock n roll music
rock n roll stories
rock songs
softlaunch
Stop Me If You've Heard This One Before
Stop Me If You’ve Heard This One Before
The Clash biography
The Sex Pistols biography
The Smiths biography
uncut magazine
Van Morrison biography

Product details

  • ISBN 9781408885925
  • Weight: 297g
  • Dimensions: 128 x 196mm
  • Publication Date: 09 Aug 2018
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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The Sunday Times' Music Book of the Year 2017

Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You’ve Heard This One Before, based on his experiences as a music journalist in the 70s and 80s, a gilded time for the music press.

By turns hilarious, cautionary, poignant and powerful, the Stop Me... stories collected here include encounters with some of rock’s most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam. From backstage brawls and drug blow-outs, to riots, superstar punch-ups, hotel room confessionals and tour bus lunacy, these are stories from the madness of a music scene now long gone.

Allan Jones is an award-winning British music journalist and editor. In 1974, he applied for a job on the UK’s best-selling music paper as a junior reporter, signing off his application with “Melody Maker needs a bullet up the arse. I’m the gun, pull the trigger”. He was editor of Melody Maker from 1984 to 1997 and until 2014 editor of music and film monthly Uncut.

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