Capital and Popular Cinema

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giallo
A01=Valentina Vitali
aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Author_Valentina Vitali
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Category1=Non-Fiction
Category=APFA
Category=ATFA
comparative film studies
COP=United Kingdom
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economy
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film genres
horror film
Indian cinema
Italian cinema
Language_English
Mexican cinema
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Price_€50 to €100
PS=Active
softlaunch

Product details

  • ISBN 9780719099656
  • Weight: 445g
  • Dimensions: 138 x 216mm
  • Publication Date: 07 Apr 2016
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Popular cinema has mostly been discussed from a 'cult' perspective that celebrates uncritically its 'transgressive' qualities. Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific contexts and by exploring the interconnections between those contexts, the immediate industrial-financial interests sustaining the films, and the films' aesthetics. Through the examination of three different cycles in film production - the Italian giallo of Mario Bava, the Mexican films of Fernando Méndez, and the Hindi horror cinema of the Ramsay Brothers - Capital and popular cinema proposes a comparative approach that accounts for the whole of a national film industry's production ('popular' and 'canonic'), and is applicable to the study of film genres globally.

Based on new research, Capital and popular cinema will be of interest to undergraduate and post-graduate students, researchers and scholars of cult and exploitation cinema, genre cinema, national cinema, film and media theory, and area studies.

Valentina Vitali is Reader in Film Studies at the University of East London

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