Captive Audience
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€51.99
adaptation
alfaro
Brutal Imagination
Can
Category=AFKP
Category=ATD
Category=JKVP
Corday
critical race theory
Critical Witnessing
dramatic representation
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eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Euripides's Medea
Euripides’s Medea
French Lieutenant's Woman
French Lieutenant’s Woman
gender and ethnicity analysis
Handmaid's Tale
handmaids
Handmaid’s Tale
harold
Harry Ransom Humanities Research Center
Held
Incarcerated Women
incarceration narratives
luis
marquis
Medea Project
NYPD Blue
Physical Prisons
pinter
Pinter's Adaptation
Pinter's Screenplay
pinters
Pinter’s Adaptation
Pinter’s Screenplay
Prison Industrial Complex
prison systems in contemporary drama
Restraint Chair
Roller Derby
sade
Sadean Orgy
Short Eyes
social justice performance
Stun Belts
Stun Gun
tale
theatre studies
UN
Violate
Young Men
Product details
- ISBN 9780415965804
- Weight: 540g
- Dimensions: 152 x 229mm
- Publication Date: 12 Sep 2003
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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The first collection on this important topic, Captive Audience examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre. Beginning with an essay by Harold Pinter, the original contributions discuss work including Harold Pinter's screenplays for The Handmaid's Tale and The Trial, Theatrical Prison Projects and Marat/Sade. Kimball King, Thomas Fahy, Rena Fraden, Tiffany Ana Lopez, Fiona Mills, Harold Pinter, Ann C. Hall, Christopher C. Hudgins, Pamela Cooper, Robert F. Gross, Claudia Barnett, Lois Gordon
Thomas Fahy is Lecturer in English at California Polytechnic State University in San Luis Obispo. He resides in Shell Beach, California. Kimball King is Professor of English at the University of North Carolina at Chapel Hill. He resides in Chapel Hill, NC.
