Accademia Del Disegno
art patronage history
Artemisia Gentileschi
Baroque painting technique research
Caravaggio's Art
Caravaggio's Death
Caravaggio's Depiction
Caravaggio's Followers
Caravaggio's Painting
Caravaggio's Realism
Caravaggio’s Art
Caravaggio’s Death
Caravaggio’s Depiction
Caravaggio’s Followers
Caravaggio’s Painting
Caravaggio’s Realism
Caravaggisti influence
Casa Buonarroti
Category=AGA
Category=AGB
Catherine Puglisi
Contarelli Chapel
David M. Stone
Elizabeth Cropper
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Erin E. Benay
Frances Gage
Gail Feigenbaum
Galleria Degli Uffizi
H. Perry Chapman
Italian Baroque art
Jonathan Unglaub
Judith Beheading Holofernes
Keith Christiansen
La Tour
Larry Keith
Lorenzo Pericolo
Lute Players
Maffeo Barberini
Michelangelo Merisi Da Caravaggio
Museo Thyssen Bornemisza
Philip Sohm
pictorial narrative analysis
Pinacoteca Vaticana
Pio Monte Della Misericordia
religious iconography studies
Rembrandt
Rembrandt Harmensz Van Rijn
Richard E. Spear
Samuel Van Hoogstraten
San Tommaso
seventeenth-century painting
Steven F. Ostrow
Vincent Van Gogh
Young Man
Product details
- ISBN 9781138247451
- Weight: 453g
- Dimensions: 174 x 246mm
- Publication Date: 09 Sep 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
As this collection of essays makes clear, the paths to grasping the complexity of Caravaggio’s art are multiple and variable. Art historians from the UK and North America offer new or recently updated interpretations of the works of seventeenth-century Italian painter Michelangelo Merisi da Caravaggio and of his many followers known as the Caravaggisti. The volume deals with all the major aspects of Caravaggio’s paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception, and new hermeneutical trends. The concluding section tackles the essential question of Caravaggio’s legacy and the production of his followers-not only in terms of style but from some highly innovative strategies: concettismo; art marketing and the price of pictures; self-fashioning and biography; and the concept of emulation.
Lorenzo Pericolo is Associate Professor in the Department of the History of Art at the University of Warwick, UK. David M. Stone is Professor and Director of the Curatorial Track PhD Program in the Department of Art History at the University of Delaware, USA.
