Carbon Transfer Printing

Regular price €248.00
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In stock with our UK publisher. 14-28 days
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A01=Don Nelson
A01=John Lockhart
A01=Sandy King
advanced photographic process troubleshooting
Age Group_Uncategorized
Age Group_Uncategorized
alternative printing process
Alternative Process Photography
Ammonium Dichromate
archival printmaking
Author_Don Nelson
Author_John Lockhart
Author_Sandy King
automatic-update
Carbon Dimroom
Carbon Printing
Carbon Tissue
Carbon Transfer
Carbon Transfer Printing
Category1=Non-Fiction
Category=AJG
Category=AJT
Color Carbon
Contact Printing Frame
contemporary artists
contemporary practice
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Dichromate Concentration
Dichromate Sensitizer
digital negative creation
Digital Negatives
Disodium EDTA
Disposable Nitrile Gloves
Double Transfer
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exposure Times
Fac
FAO
gelatin silver alternatives
Gelatin Sizing
ICC Profile
Language_English
Moisture Content
monochrome printing techniques
PA=Available
photographic chemistry
pigment image permanence
pigment printing process
Pin Registration
Price_€100 and above
PS=Active
QuadTone Rip
Single Transfer
Single Transfer Carbon
softlaunch
Step Wedge
three-color carbon prints
UV Source
Vacuum Frame

Product details

  • ISBN 9781138353848
  • Weight: 1000g
  • Dimensions: 203 x 254mm
  • Publication Date: 25 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and color, to serve as point source for a new carbon printer to begin to master the craft of carbon printing, as well as provide new material for experienced carbon printers so they can expand their techniques. The book includes never-before-published information on pre-sensitizing carbon tissue with newly identified compounds, information on the safe use and disposal of hexavalent chromium compounds, and simplified methods of producing 3-color carbon prints.

Carbon Transfer Printing is divided into two parts, illustrated with 175 photographs. Part One is a complete how-to on the carbon transfer process, from simple to complex, with a troubleshooting guide and an extensive chapter on digital negatives. Part Two is devoted to contemporary carbon printers who share their methods and secrets to creating their beautiful carbon prints.

Topics that the book covers are:

  • Key events in carbon’s history
  • How to organize the carbon workplace
  • Sections on necessary supplies and equipment
  • A step-by-step digital method of making high quality digital negatives
  • Simple and advanced methods of carbon printing
  • How to make carbon tissue, including several methods of pre-sensitizing
  • How to choose UV light sources for printing in carbon
  • Step-by-step processing directions
  • How to prepare final support papers
  • Troubleshooting carbon
  • Multi-layer printing to add tone, or make a full color carbon print
  • Finishing and final presentation of carbon prints
  • A gallery of images and advice from contemporary carbon printers

Carbon Transfer Printing is designed for both the beginning carbon enthusiast as well as for the advanced practitioner. Backed with extensive research on carbon printing from books, journals, and magazine articles from the 1800s to present day, and the extensive personal experience in carbon printing of the authors, there is enough information in this book to provide inspiration and proof of both the glorious past of carbon printmaking and its enduring importance to a new generation of image makers who value the handmade print.

Sandy King has been a fine art photographer since the early 1970s, printing with carbon transfer, kallitype, platinum/palladium and Van Dyke. For over two decades, King has devoted much of his time to carbon printing with publication of personal work in Photovision, Silvershotz and View Camera, conducting carbon printing workshops, and author of numerous publications. To see his work, visit www.sandykingphotography.com

Don Nelson has been a large format photographer since 1976, using 8x10, 7x17, and 12x20 inch cameras. Nelson has been an alternative process printer for the past three decades, using primarily carbon and platinum/palladium since 1991, although he has experimented with most alternative processes.

John Lockhart was inspired by the platinum work of Paul Outerbridge which led him to handcrafted printmaking and ultimately carbon transfer. In his work, Lockhart combines the authenticity and immediacy of documentary and street photography with a painstaking approach to printing each image as a handcrafted artifact. Lockhart is also involved in preserving, evolving, and teaching the craft. To see his work, visit www.johnlockhart.net

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