Caribbean Women Writers and Globalization
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A01=Helen C. Scott
Author_Helen C. Scott
Bachelor's Buttons
Bachelor’s Buttons
Caribbean diaspora studies
Caribbean Women
Caribbean Women Writers
Category=DS
Category=DSB
Category=DSBH
Category=JBSL
Category=NHTB
cheddi
Cheddi Jagan
CIA Fund
CIA Intervention
contemporary Caribbean women's fiction analysis
Danticat's Fiction
Danticat’s Fiction
Dew Breaker
Dose Police
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
eric
feminist criticism
Flamboyant Tree
Frangipani House
gairy
imperialism in literature
jagan
Jamaican Novels
Janice Shinebourne
Kincaid's Work
kincaids
Kincaid’s Work
Mama King
Melville's Description
Melville’s Description
morning
Morning Sky
national identity formation
People's Progressive Party
People’s Progressive Party
postcolonial literary analysis
sky
sociopolitical narratives
Soursop Tree
Specific Variable Responses
Ventriloquist's Tale
Ventriloquist’s Tale
Vice Versa
Wharf Rats
Widow's Peak
Widow’s Peak
woman
work
writing
Young Man
Product details
- ISBN 9781138270954
- Weight: 380g
- Dimensions: 156 x 234mm
- Publication Date: 31 Mar 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Caribbean Women Writers and Globalization offers a fresh reading of contemporary literature by Caribbean women in the context of global and local economic forces, providing a valuable corrective to much Caribbean feminist literary criticism. Departing from the trend towards thematic diasporic studies, Helen Scott considers each text in light of its national historical and cultural origins while also acknowledging regional and international patterns. Though the work of Caribbean women writers is apparently less political than the male-dominated literature of national liberation, Scott argues that these women nonetheless express the sociopolitical realities of the postindependent Caribbean, providing insight into the dynamics of imperialism that survive the demise of formal colonialism. In addition, she identifies the specific aesthetic qualities that reach beyond the confines of geography and history in the work of such writers as Oonya Kempadoo, Jamaica Kincaid, Edwidge Danticat, Pauline Melville, and Janice Shinebourne. Throughout, Scott's persuasive and accessible study sustains the dialectical principle that art is inseparable from social forces and yet always strains against the limits they impose. Her book will be an indispensable resource for literature and women's studies scholars, as well as for those interested in postcolonial, cultural, and globalization studies.
Helen C. Scott, a native of England, teaches postcolonial literature at the University of Vermont, USA. She has published work in a number of books and periodicals, including Callaloo, Journal of Haitian Studies, and Novel: A Forum on Fiction.
