Carnalities

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A01=Mariana Ortega
aesthetic unsettlement
affective mapping
Age Group_Uncategorized
Age Group_Uncategorized
Author_Mariana Ortega
autoarte
automatic-update
border arte
carnal aesthetics
Category1=Non-Fiction
Category=AJ
Category=HBTB
Category=HPN
Category=JBSL
Category=JFSL
Category=JFSL4
Category=NHTB
Category=QDTN
COP=United States
critical phenomenology
Delivery_Pre-order
differential Hermeneutics
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
erotics of light
Gloria Anzaldua
Language_English
Latinidad
Latinx identity
methodologies of the oppressed
Nicaraguan Revolution
PA=Not yet available
photography
Price_€20 to €50
PS=Forthcoming
Roland Barthes
softlaunch
sonic rupture
Veronica Gabriela Cardenas
Viacrucis

Product details

  • ISBN 9781478031277
  • Weight: 635g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Jan 2025
  • Publisher: Duke University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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In Carnalities, Mariana Ortega presents a phenomenological study of aesthetics grounded in the work of primarily Latinx artists. She introduces the idea of carnal aesthetics informed by carnalities, creative practices shaped by the self’s affective attunement to the material, cultural, historical, communal, and spiritual. For Ortega, carnal aesthetics offers a way to think about the affective and bodily experiences of racialized selves. Drawing on Gloria AnzaldÚa, Chela Sandoval, JosÉ Esteban MuÑoz, Alia Al-Saji, Helen Ngo, Maurice Merleau-Ponty, Roland Barthes, and others, Ortega examines photographic works on Latinx subjects. She analyzes the photography of Laura Aguilar, VerÓnica Gabriela CÁrdenas, and Susan Meiselas, among others, theorizing photography as a carnal, affective medium that is crucial for processes of self-formation, resistance, and mourning in Latinx life. She ends with an intimate reading of photography through a reflection of her own crossing from Nicaragua to the United States in 1979. Motivated by her experience of loss and exile, Ortega argues for the importance of carnal aesthetics in destabilizing and transforming normative, colonial, and decolonial subjects, imaginaries, and structures.
Mariana Ortega is Associate Professor of Philosophy, Women’s, Gender, and Sexuality Studies, and Latina/o Studies at Pennsylvania State University. She is the author of In-Between: Latina Feminist Phenomenology, Multiplicity, and the Self and coeditor of Constructing the Nation: A Race and Nationalism Reader and Theories of the Flesh: Latinx and Latin American Feminisms, Transformation, and Resistance.

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