A01=Jacob Stewart-Halevy
abstract
aesthetic
angeles
antin
artist
artwork
attitude
audience
Author_Jacob Stewart-Halevy
baldessari
belief
buyer
Category=AB
Category=AGA
contemporary
critic
david
eleanor
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
form
gallery
humanities
ilene
indifference
indifferent
intention
john
lamelas
los
modern
position
ramos
segalove
social
stance
theory
tony
value
wegman
william
world
Product details
- ISBN 9780226843940
- Weight: 966g
- Dimensions: 178 x 229mm
- Publication Date: 06 Jan 2026
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Hardback
Secure
checkout
Fast Shipping
Easy returns
Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art.
Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism—including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman—behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not.
Contemporary artists have continued this trajectory, finding new ways to act casually through their “stance.” In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement—and in some cases replace—the aesthetic quality of artworks.
Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism—including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman—behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not.
Contemporary artists have continued this trajectory, finding new ways to act casually through their “stance.” In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement—and in some cases replace—the aesthetic quality of artworks.
Jacob Stewart-Halevy is associate professor of art history at Tufts University. He is the author of Slant Steps: On the Art World’s Semi-Periphery.
