Caught on Screen

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A01=James Findlay
Alfred Hitchcock
Australia
Australian society
Author_James Findlay
Category=ATFA
Category=ATJ
Category=JBCT2
colonization
Convict
criminals
Douglas Sirk
egalitarian settlers
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminists
historical symbol
invaders
Jennifer Kent
nationalism
Peter Andrikidis
pioneers
radical revolutionaries
representation
violence

Product details

  • ISBN 9798765100523
  • Weight: 1080g
  • Dimensions: 160 x 152mm
  • Publication Date: 16 Oct 2025
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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From innocent criminals to radical revolutionaries, feisty feminists to manly pioneers, egalitarian settlers to violent invaders, Caught on Screen shows how over successive generations the shape-shifting convict emerged on screen as a potent historical symbol.

Convicts loom large in Australian history. As transported criminals and the first European settlers, they have shackled the nation to a curious and contested origin story. Historians were largely silent on their exploits until the second half of the twentieth century, but before then a tradition of convict representation on screen appeared with the rise of cinema, taking hold of the popular imagination. From silent films to more recent television series, screen culture has elevated the convict experience to become a key historical narrative through which filmmakers and audiences have repeatedly reframed and challenged an understanding of Australia’s colonial past. Caught on Screen traverses this history of convict representation for the first time.

Through detailed archival research into their production and reception, the book explores engaging case studies produced in Australia and internationally, including the work of Douglas Sirk, Alfred Hitchcock and Jennifer Kent. It illuminates the fact that the convict as historical symbol is one that intersected with, and helped to direct, major debates about nationalism, the legacies of colonisation, Aboriginal dispossession and the origins and character of Australian society.

James Findlay is Lecturer in Australian history at the University of Sydney, Australia. He has a research focus on historical film and television studies, convict history, Australian popular culture, and public history. He has held the Australian Film Institute Research Collection Fellowship and before becoming a historian worked extensively in film and television production, mostly in the field of documentary.

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