Celtic Music and Dance in Cornwall

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A01=Lea Hagmann
Alan Stivell
Author_Lea Hagmann
British Folk Revival
Category=AV
Category=AVL
Category=NHD
Celtic
Celtic Languages
Celtic Music
Celtic Nation
Chain Dances
Cornish Dance
Cornish Dialect
Cornish identity
Cornish Music
Cornish music authenticity debates
Cornish Nationalism
Cornish People
Cornish Revival
cultural revival movements
Dance Revival
Edward Lhuyd
EFDSS
English Folk Dance Society
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnomusicology
Gaelic
Hand Reel
Manx Gaelic
minority language studies
Music Revivals
Pipers
regional nationalism
Sankey Hymns
St Columb
Tin Whistle
traditional dance research

Product details

  • ISBN 9780367691417
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Oct 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Focusing on the Cornish Music and Dance Revival, this book investigates the revivalists’ claims about Cornwall’s cultural distinctiveness and Celtic heritage, both which are presently used as arguments to promote the English county’s political status as an independent Celtic nation. The author describes two different revival movements that aim at reviving Cornwall’s culture but seem to have entirely different ideas about the concept of authentic Celto-Cornish music and dance. In the first part, historical sources connect Cornwall to its Celtic roots, with an analysis of how the early Cornish revivalists used, changed and adapted this material during the 1980s in order to create a Celto-Cornish revival corpus. In the second part, the book addresses the desire of the Cornish people to express their local and Celtic identities through music and dance, and various practices musicians and dancers have developed to do so. The Nos Lowen movement, which started in the year 2000, is important in this study because it has expanded and newly interpreted the concepts of ‘traditional’, ‘Celtic’ and ‘authentic’.

Lea Hagmann is a lecturer and postdoc researcher in Cultural Anthropology of Music at the University of Bern, where she is also the Director of Studies in World Arts and Music.

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